Cote
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All Time #525.2k
COTE, the project of Brooklyn-based singer/songwriter Taryn Randall, descends from a timeless, song-driven rock tradition. Sparked by unsparing ruminations on heartbreak and accountability, Randall’s keenly observed songs map the peaks and valleys, twists and dead-ends that mark any trip worth taking — be it physical, emotional, spiritual, or somewhere in between.
Guided by producer/bassist Jeremy McDonald (Beyoncé’s “Pray You Catch Me”), COTE collapses the distance between modern and classical, mounting a compelling argument for rock-and-roll in the 21st Century. Randall’s arresting voice, meanwhile, may belong to a category of its own. It’s a kind of velvet lure — by turns pliant and penetrating — wielded with a primal confidence. Impose magazine deemed it “healing,” while Noisey once remarked “her voice is so warm and welcoming you wish it was a cloud you could recline on.”
An emigrant from the perma-gloss of Orange County, CA, Randall’s enchanting deconstructions of romantic mythologies (“Golden Hour”) and the mechanics of self-doubt (“Green Light”) linger long after the music stops. “A lot of my songs are about facing the fears and insecurities I have about being honest with myself, or with the world,” she says. “They’re a way to crack myself open and see what’s really there.”
COTE’s debut album is scheduled to be released next year....more
Country/Region : United States
Guided by producer/bassist Jeremy McDonald (Beyoncé’s “Pray You Catch Me”), COTE collapses the distance between modern and classical, mounting a compelling argument for rock-and-roll in the 21st Century. Randall’s arresting voice, meanwhile, may belong to a category of its own. It’s a kind of velvet lure — by turns pliant and penetrating — wielded with a primal confidence. Impose magazine deemed it “healing,” while Noisey once remarked “her voice is so warm and welcoming you wish it was a cloud you could recline on.”
An emigrant from the perma-gloss of Orange County, CA, Randall’s enchanting deconstructions of romantic mythologies (“Golden Hour”) and the mechanics of self-doubt (“Green Light”) linger long after the music stops. “A lot of my songs are about facing the fears and insecurities I have about being honest with myself, or with the world,” she says. “They’re a way to crack myself open and see what’s really there.”
COTE’s debut album is scheduled to be released next year....more
Songs(6)
Albums(4)
Playlists(0)
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Listen to Cote’s new songs including "Please", "Martin (Original Mix) ft. Julio Posadas", "Essence (Original Mix) ft. Julio Posadas" and many more. Enjoy Cote’s latest songs and explore the Cote’s new music albums. If you want to download Cote songs MP3, use the Boomplay App to download the Cote songs for free. Discover Cote’s latest songs, popular songs, trending songs all on Boomplay.
Cote Biography
COTE, the project of Brooklyn-based singer/songwriter Taryn Randall, descends from a timeless, song-driven rock tradition. Sparked by unsparing ruminations on heartbreak and accountability, Randall’s keenly observed songs map the peaks and valleys, twists and dead-ends that mark any trip worth taking — be it physical, emotional, spiritual, or somewhere in between.
Guided by producer/bassist Jeremy McDonald (Beyoncé’s “Pray You Catch Me”), COTE collapses the distance between modern and classical, mounting a compelling argument for rock-and-roll in the 21st Century. Randall’s arresting voice, meanwhile, may belong to a category of its own. It’s a kind of velvet lure — by turns pliant and penetrating — wielded with a primal confidence. Impose magazine deemed it “healing,” while Noisey once remarked “her voice is so warm and welcoming you wish it was a cloud you could recline on.”
An emigrant from the perma-gloss of Orange County, CA, Randall’s enchanting deconstructions of romantic mythologies (“Golden Hour”) and the mechanics of self-doubt (“Green Light”) linger long after the music stops. “A lot of my songs are about facing the fears and insecurities I have about being honest with myself, or with the world,” she says. “They’re a way to crack myself open and see what’s really there.”
COTE’s debut album is scheduled to be released next year.
Guided by producer/bassist Jeremy McDonald (Beyoncé’s “Pray You Catch Me”), COTE collapses the distance between modern and classical, mounting a compelling argument for rock-and-roll in the 21st Century. Randall’s arresting voice, meanwhile, may belong to a category of its own. It’s a kind of velvet lure — by turns pliant and penetrating — wielded with a primal confidence. Impose magazine deemed it “healing,” while Noisey once remarked “her voice is so warm and welcoming you wish it was a cloud you could recline on.”
An emigrant from the perma-gloss of Orange County, CA, Randall’s enchanting deconstructions of romantic mythologies (“Golden Hour”) and the mechanics of self-doubt (“Green Light”) linger long after the music stops. “A lot of my songs are about facing the fears and insecurities I have about being honest with myself, or with the world,” she says. “They’re a way to crack myself open and see what’s really there.”
COTE’s debut album is scheduled to be released next year.
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She is from United States.
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